This sequel to Aldridge’s 2016 book ‘Please return Polaroid’, is his ongoing love letter to Polaroid, a process once integral to the craft of many photographers but now more or less extinct. The book presents recent and vintage Polaroids from his more than 20-year archive shaped by a dreamlike logic and explores his dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape and intuition.

Also available as a special edition, presented with 1 of 10 c-prints each signed and numbered from an edition of 20.

This sequel to Aldridge’s 2016 book ‘Please return Polaroid’, is his ongoing love letter to Polaroid, a process once integral to the craft of many photographers but now more or less extinct. The book presents recent and vintage Polaroids from his more than 20-year archive shaped by a dreamlike logic and explores his dedication to analogue processes where cut-and-paste is still a manual process, made with scissors, gaffer tape and intuition.

Issued with 1 of 10 c-prints each signed and numbered from an edition of 20.

Published by Louis Vuitton the Fashion Eye Collection evokes cities, regions or countries through the eyes of photographers. Here Aldridge revisits his initial impressions of Córdoba with his Leica camera, inspired by the life and writings of Federico García Lorca.

Published to coincide with Aldridge’s 2017 exhibition at Lyndsey Ingram, this catalogue documents Aldridge’s diverse collaborations with Maurizio Cattelan, Harland Miller and Gilbert & George. Includes preparatory drawings, Polaroids and behind-the-scenes reportage.

Artist’s book documenting Aldridge’s project with Maurizio Cattelan shot during one night at La Monnaie de Paris. Contains extensive behind-the-scenes reportage as well as visual references and preparatory drawings used in the staging of the photographs.

Drawn from over 20 years of Aldridge’s archive, this book contains a personal selection of the artist’s Polaroids, giving an intimate insight into his working practice, as well as providing an overview of his projects spanning the past two decades.

Also available as a special edition, issued with a screenprint signed and numbered from the edition of 100.

Drawn from over 20 years of Aldridge’s archive, this book contains a personal selection of the artist’s Polaroids, giving an intimate insight into his working practice, as well as providing an overview of his projects spanning the past two decades.

Issued with a screenprint in black and silver ink signed and numbered from the edition of 100.

Published to coincide with Aldridge’s 2015 exhibition at Reflex Gallery, Amsterdam. A single silver gelatin black and white print is contrasted with an array of colour images printed purposefully off-key to create a hallucinatory palette.

Also available as a special edition of 40, issued in a portfolio case with a signed chromogenic print.

Published to coincide with Aldridge’s 2015 exhibition at Reflex Gallery, Amsterdam. A single silver gelatin black and white print is contrasted with an array of colour images printed purposefully off-key to create a hallucinatory palette.

Issued in a portfolio case with a signed chromogenic print of I Only Want You To Love Me #4 from the edition of 40.

Published to coincide with Aldridge’s 2013 retrospective at Somerset House, London. This concise monograph features over 130 works, including Home Works, Immaculée and many other iconic images as well as a broad selection of preparatory drawings.

Also available as a special edition of 200 which includes a signed unique Polaroid print.

Published to coincide with Aldridge’s 2013 retrospective at Somerset House, London. This concise monograph features over 130 works, including Home Works, Immaculée and many other iconic images as well as a broad selection of preparatory drawings.

Issued in an edition of 200 each with a signed unique Polaroid print.

A selection of personal photographs which document Aldridge’s family life from 1994 to 2011. Unlike Aldridge’s more well-known works all the pictures in this collection were shot on a 35mm Leica with available light.

Aldridge’s first book published with Gerhard Steidl. A large-scale, luxury monograph with the first half of the book dedicated to the copious sketchbooks of drawings made by Aldridge in preparation for his photographs. The second half features a compendium of his best known photographs.

Published to coincide with Aldridge’s 2008 exhibition at the Reflex Gallery, Amsterdam. The title refers to the hard-boiled sweets Aldridge had as a child, but also refer to the acid-hued colours of his photographs.

Exhibition catalogue for Aldridge’s first show at the Reflex gallery, Amsterdam. Features 50 prints including many early works not published elsewhere.